Hot Tickets - Theatre NYC segundo a Time Out


Young Frankenstein

Hilton Theatre

Performance dates: Previews start Oct 11; show opens Nov 8

Mel Brooks and director Susan Stroman follow up their 2001 megahit The Producers with a musical adaptation of Brooks’ 1974 monster-mash spoof. And don’t forget: It’s Frahn-ken-SHTEEN!


Black Watch

St. Ann's Warehouse

Performance dates: Oct 20–Nov 11

Based on the testimonies of ten soldiers, this buzzed-aboutshow follows the last days of a Scottish regiment in Iraq.


Mauritius

Biltmore Theatre

Performance dates: Previews ongoing now; show opens Oct 14

Theresa Rebeck’s Broadway debut involves two half-sisters, a dead mother and a bequeathed rare-stamp collection; the cast includes F. Murray Abraham, Bobby Cannavale and Alison Pill.


The Glorious Ones

Mitzi E. Newhouse Theater

Performance dates: Previews start Oct 11; show opens Nov 5

Lynn Ahrens and Stephen Flaherty (Ragtime) musicalize Francine Prose’s backstage novel about a 16th-century Commedia dell’arte troupe in Italy.


Rock ’n’ Roll

Bernard B. Jacobs Theatre

Performance dates: Previews start Oct 19; show opens Nov 4

Tom Stoppard (The Coast of Utopia) goes back in history—1968, to be exact—to tell this a cross-generational tale of Eastern-bloc rock, resistance and Marxist theory. Sinead Cusack, Rufus Sewell and Brian Cox star.


Cymbeline

Vivian Beaumont Theater

Performance dates: Previews start Nov 1; show opens Dec 2

Yes, it was just presented at BAM and yes, it is one of Shakespeare’s most ungainly, ridiculous late romances, but perhaps director Mark Lamos can breathe life into it.


Dr. Seuss’ How the Grinch Stole Christmas

St. James Theatre

Performance dates: Previews start Nov 1; show opens Nov 9

This new Broadway holiday tradition turns Dr. Seuss’ curmudgeonly green villain into a song-and-dance sensation.


The Little Mermaid

Lunt-Fontanne Theatre

Performance dates: Previews start Nov 3; show opens Dec 6“No water, no wires” is how Disney coyly bills the stagecraft for this cartoon-to-stage adaptation of its beloved 1989 movie, and we’re curious to see how it makes the leap from one medium to another—just like its fish-bottomed protagonist.
Como é nyc dolls??

3 comments:

dragoneza said...

coloco aqui outras sugestões para pensarmos...não prefeririam mesmo Broadway tipo Spamalot (Monty Pithon), Les Miserables ou mesmo Phantom of the opera...eu quando lá estive vi Miss Saigon e adorei...vão pensando!

raquel said...

Voto em Spamalot e/ou The Producers e/ou Young Frankenstein e outra coisa mais off broadway com alguém famoso!!!!!

mau maria said...

confesso q fiquei um pouco confusa, desnorteada, perdida.. mas visto que ambas falam em Spamalot, parece-me óptimo.. tipo tentava-se assegurar bilhetes pelo menos pra esse, não?